Italo Calvino lays down patterns
every which way. The most general one is a pattern of repetition. The cities
Marco Polo visits are categorized under the same constant groups. These are cities and memory, cities and desire, cities and signs, thin cities, trading
cities, cities and eyes, cities and names, cities and the dead, cities and the
sky, continuous cities and hidden cities. The curious aspect is that different observations can be made about each
category. The readers can observe that all
cities placed in a certain category deal with the same topic or they can also
say that each category leads to the next. One city that is placed in the category cities and memories discusses how, “in the square there is the wall where the old men sit and watch
the young go by...[here] desires are already memories.” (p.8) What was once a desire
has morphed into a memory, bringing the story to the next category, cities and
desires. Of course the order doesn't necessarily have to be in this way, in fact
it can easily be cities and desires and then cities and memories. Yet,
the order is arbitrary in their relationship, since it mainly consists of a
connection that lets the two blend into one another, and as a result shuffling
them does no harm.
So these cities clearly follow a
certain type of morphing pattern. Yet, how does this add to the overall understanding
of this book? I still believe that the cities combine to form a representation of all the knowledge gained through a lifetime.
Therefore, the way in which they're organized represents the main components
found within experiences. These include memories, desires, signs, names,
deaths, beliefs and ideas. For example in the section cities and the sky it
talks about a common perception that refers to heaven and hell. “Suspended in
the heavens, there exists another Beersheba, where the city’s most elevated
virtues and sentiments are poised, and that if the terrestrial Beersheba will
take the celestial one as its model the two cities will become one…they also
believe…that another Beersheba exists underground, the receptacle to them, and
it is their constant care to erase from the visible Beersheba every tie or
resemblance to the lower twin.”(p.111) This idea of mirroring “heaven” and
repelling “hell” is a common idea that even when it doesn’t pertain necessarily
to religion, it does bring up the human judgment of good versus evil.
Marco Polo goes on to explain,
“It is true that the city is accompanied by two projections of itself, one
celestial and one infernal; but the citizens are mistaken about their
consistency.”(p.112) The theory and idea of heaven and hell is completely valid, however it’s impossible to say with complete certainty what exactly heaven and
hell are. Like any other notion, it is simply an idea. Valid for its existence,
but many times cannot be fully validated because it’s an opinion not a provable
fact.
The categories go on in this
fashion, providing many ideas and themes that are pertinent to life. Inspecting
them and explaining them through the situations brought up in each city. The
ideas and general patterns are reiterated so often that they seem to be on
repeat, possibly in an effort to establish each broad notion.
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